Michael C. Hall

Although this is the eighth show minimalist director Ivo van Hove has directed for New York Theatre Workshop, one would be hard put to recognize it as his. The production uses Tal Yarden’s almost continual streaming video, slide projections, a huge screen representing a television monitor, and an on-stage band made of seven musicians. The pink beige set is often turned into other locales with video which covers all three walls of the set. The band sits behind the set but is often revealed when Venetian blinds on the back wall of Newton’s apartment occasionally open for actors to be seen behind the windows or for the video to transform the stage like cinematic cuts into scenes from various locales. Like Roeg’s movie version of "The Man Who Fell to Earth," Lazarus makes use of surrealistic imagery that gives the evening a psychedelic sensibility. [more]