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Michael Patrick Thornton

A Doll’s House

March 19, 2023

Like Ivo van Hove’s pared-down revival of Arthur Miller’s "A View from the Bridge," Jamie Lloyd’s new Broadway production of Henrik Ibsen’s 1879 "A Doll’s House" uses no sets or props and all black costumes for the entire cast. Going even further than van Hove, he has the heroine Nora Helmer played by film star Jessica Chastain seated almost for the entire length of this intermission-less three-act play. Using a new version by Amy Herzog recast in spare modern vernacular, this Doll’s House proves to be riveting and intense, even if you know the play very well,  focusing our attention on the dialogue, the acting and emotion, rather than the décor and the historical trappings of 19th century Norway as we usually do. [more]

Macbeth

May 2, 2022

This 2022 "Macbeth" appears to be entirely a director’s project, but Sam Gold has done his actors no service with the busy activity he has added to the play. Fine actors like Daniel Craig and Ruth Negga who have demonstrated their top-flight acting chops on stage elsewhere have not been aided by the bizarre direction. Ironically, Shakespeare’s name is nowhere to be seen in the ads for the production. If this was to rope in the fans of Craig’s James Bond, this production gives them no help in following the play, a story of ambition and revenge, which should have been the point of the updating. Even if you are well-versed in the play, you will find yourself adrift much of the time. [more]