safeword.
Mr. Asher here continues to mine the subject of human sexuality, but lightning has not struck twice. That is chiefly due to Asher’s misguidedly grandiose direction (with associate director Mika Kauffman) emphasizing stylish spectacle at the expense of the clunky plot. It also slows down the numerous scene transitions. One ends, there’s dragged-out showy lighting and loud music, characters often walk around and then finally it’s on to the next scene. [more]
