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Miles G. Jackson

Stargazers

April 25, 2024

The scenes establishing the outlines of the mystery tend to be episodic rather than tightly integrated narrative, building tension to a dramatic resolution. Colette Robert's direction of the fine ensemble is spot-on and well-tuned within the confines of the script. Still, the script's structure leads to the production's episodic nature and ultimately fails to develop the strong air of mystery and suspense in a ghost story. [more]

Pay the Writer

August 24, 2023

Directed by Karen Carpenter, "Pay the Writer" by best-selling novelist Tawni O’Dell is slick and superficial but entertaining and engrossing. The play about the 45 year friendship between an ultimately successful gay literary agent and an unknown African American novelist who becomes celebrated and wealthy plays like a novel or mini-series with its 13 scenes and many two-character encounters but is ultimately satisfying by the time it reaches its denouement. The high powered cast plays it to the hilt, belying the fact that the characters are superficial and stereotyped, which, of course, doesn’t make it untrue. Some of the play is extremely funny with one-liners worth repeating. [more]

Three Sisters

May 22, 2022

While this is not an in-depth interpretation and at times seems a bit superficial, Will Pomerantz’s production of "Three Sisters" is a true ensemble making it appear that these people have lived together for years. His new adaptation in contemporary idiom is easy on the ears and easy to comprehend. The pacing of the production is always on the move which is saying a good deal when it comes to Three Sisters which is often performed in a glacial style to mirror the characters’ boredom and disappointments. Here the characters complain about their fate but get on with their lives. [more]