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Nicola Murphy

A Girl Is a Half-formed Thing

November 22, 2021

Performed as one long 80-minute monologue, A Girl is a Half-formed Thing also offers actor Jenn Murray little, if any, respite, laying on her shoulders complete responsibility for telling every detail of its emotionally unyielding story. Besides the girl, she must give voice to all of the other unnamed characters in the play, too, distinguishing them so that the staged version of McBride's novel, where it's impossible to simply reread a sentence, has an immediate intelligibleness. By itself, this feat is enough to make Murray's performance astonishing, but it's only the tip of her accomplishments. [more]

Pumpgirl

November 20, 2019

Told as a series of alternating, interlocking monologues, there is a "Rashomon"-esque quality to "Pumpgirl" that grows more obvious as the play's story comes into focus. Not only do the relationships between the characters subjectively deepen as they each take their turns speaking under lighting designer Michael O'Connor's isolating glare, but a life-altering crime is also revealed, one that is committed with  stomach-churning cruelty. Though, unlike in the Kurosawa movie, its details are never in doubt. [more]

Da

January 23, 2015

This finely constructed memory piece is characterized by comedy and melancholy. Overcoming parental dysfunction is it’s universal theme. It’s rendered with complexity, as the characters are often shown at their most vindictive but also with their good qualities that they often repress. The dialogue is crisp and filled with mordant Irish wit. [more]