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Patrick Huber

LaBute New Theater Festival 2019

January 16, 2019

An exhilarating trio of short plays by that noted cultural provocateur Neil LaBute make their New York City premieres in this edition of the LaBute New Theatre Festival 2019. Since 2013, the St. Louis Actors’ Studio with the support of Mr. LaBute who is an acclaimed film director, screenwriter and playwright has held an annual festival of one-act plays. This incarnation is unique as it is comprised solely of works of his which is probably why it is so potent. [more]

2018 LaBute New Theater Festival

January 15, 2018

With the support of film director, screenwriter and playwright Neil LaBute, the St. Louis Actors’ Studio has held an annual festival of one-act plays since 2013. This is the third year that the festival has been presented at 59E59 Theaters in New York City, and it’s a very enjoyable program. [more]

2017 LaBute New Theater Festival

January 21, 2017

Reading David Foster Wallace’s Infinite Jest while lying on a couch is Jay, a slacker-looking type in his 30’s. Sitting in the living room nearby is his 60ish mother who enjoys watching Dr. Phil on television and complaining about her ailments. Gabe McKinley’s Homebody is an enthralling black comedy with shades of Grey Gardens. Mother and son bicker, rehash recriminations and share their joy over the possibility of Jay’s novel being published. In 35 minutes, Mr. McKinley delivers a very well written, plotted and satisfying one-act play. It’s so pleasurable that a full-length version would be most welcome. [more]

2016 LaBute New Theater Festival

January 19, 2016

The opening one is British author Lexi Wolfe’s delightfully wistful "Stand Up for Oneself." It’s a Chekhovian romantic comedy with clipped Noel Coward-style dialogue taking place in the room of a house where a party is going on. Lucas, a 42-year-old morose music professor sits alone drinking with his cane nearby when the free-spirited 26-year-old Lila enters. There is flirtation and revelations. Sensitively directed by John Pierson, the play’s very fine writing is boosted by the wonderfully detailed and effecting performances of Alicia Smith and Mark Ryan Anderson. [more]