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Paul Salvatoriello

Empire

July 16, 2024

In "Empire," Caroline Sherman and Robert Hull attempt to tell a very big story but are unable to bring this unwieldy tale into suitable shape. The time traveling framework is both unnecessary and obtrusive. Both the historic characters and the fictional ones are underwritten and there are too many names to keep straight. While the music is catchy, the lyrics are often too unsophisticated and repetitious to make their mark. The cluttered setting and the busy staging don’t help to tell the story. "Empire" is an ambitious but unsuccessful musical which is defeated by its very form. [more]

A Bronx Tale

December 14, 2016

On Beowulf Boritt’s set of three apartment towers of fire escapes and store fronts, the musical begins with a doo-wop group singing a cappella in close harmony under a Belmont Avenue sign, setting a properly nostalgic mood. The musical follows the plotline of the original. The main character, the Chazz stand-in, is young Calogero, first seen as a youngster (a wonderfully unaffected Hudson Loverro) and then as a young man (handsome and passionate Bobby Conte Thornton), whose father Lorenzo (Richard H. Blake, totally believable) is a hard-working, honest bus driver and whose mother is a housewife Rosina (Lucia Giannetta who makes the most of a small part). [more]