Ragtime

Rocky from Chip Deffaa’s July 17, 2014 column

July 17, 2014

A boxing musical? I just couldn't see it. Nor could I imagine there'd be an audience for this on Broadway. Nor could I imagine that I–who's never seen a boxing match in my life or had any interest in doing so–would enjoy such a Broadway show. But I was wrong. Thomas Meehan and Sylvester Stallone, who wrote the script (based on Stallone's famed MGM/United Artists motion picture), have done a terrific job of good old-fashioned storytelling, making us care about the fate of an underdog, a down-on-his-luck boxer. And director Alex Timbers has staged this with enormous flair. [more]

If/Then Musical review by Chip Deffaa

July 17, 2014

My own personal favorite moment in the show–and of course this is subjective, simply one person's reaction to what he witnessed–was seeing/hearing Anthony Rapp sing to Menzel that she did not have to love him; they could make a life together work, even without that. The song was unusual, and it was performed to perfection, with Rapp giving a master class in how to act in singing a song, how to interpret lyrics with utter conviction, how to make a song compelling. [more]

Spring Awakening

December 28, 2006

Although its language is no rougher than what you'll hear in Rent or Avenue Q, Spring Awakening may be a tougher journey, especially for young teens. This sometimes downbeat adaptation of a controversial work incorporates a number of uncomfortable topics, including incest, masturbation, teen suicide and abortion. Warnings aside, let's hope that older teens (who already make up much of the audience), along with Generations X and Y will embrace Spring Awakening the way they did Rent ten years ago. [more]

Spotlight on Ahrens and Flaherty: Dessa Rose and a Merkin Hall Tribute Concert

March 28, 2005

The 12-person cast, as staged by longtime Ahrens & Flaherty director Daniele Graciele, presents a moving tale throughout the show. However, the material, especially in Ahren's dialogue scenes, can be very repetitive and can seem overly sentimental. This is often the case with Ahrens & Flaherty shows, which usually contain a batch of stunning musical numbers performed by excellent actors in shows that never seem to be perfected – say "My Favorite Year," "Ragtime," and "A Man of No Importance." Of course, one is glad that Ahrens & Flaherty's shows get regularly produced on Broadway, Off Broadway, and at Lincoln Center. [more]