Sasha Hutchings

If an audience can willingly get past the contrivance that the distant relative Stevie meets over coffee, a young white man whose family generations ago once owned (and fathered!) slaves in Stevie’s family, and who just so happens to be the live-in boyfriend of Stevie’s niece Meg, then the audience will have a good time. The four leads of Meg, her boyfriend Drew, her mom Beverly, and Beverly’s twin brother Stevie are written so well. We care so much about each of them that the revelation that they are intertwined by the horrific tale of a plantation owner that loved his slave but was not above slashing her tendons when she tried to run away sets a tone that should be devoid of all humor. [more]