Sean Hagerty

Clowns Like Me

July 7, 2024

Ehrenpreis’ "Clowns Like Me" is sad, but true, and with the help of writer and director Jason Cannon, the brutally honest tale finds all the humor that’s possible. Within a very few minutes we are introduced to all the tools to discuss an obvious manifestation of his obsessive-compulsive disorder: cleanliness. Out come the goggles, gloves, cleaning rag, spray bottle and his co-stars Swiffer and Dirt Devil in this elaborate Ginger and Fred dance to clean where the average person would see no dirt. [more]

The Gospel According to Heather

June 24, 2023

"The Gospel According to Heather," with book, music, and lyrics by Paul Gordon, is a story about a teenager's struggles with fitting in with her contemporaries, finding a boyfriend, and dealing with the supernatural powers which she seems to have acquired after finding a Roman coin in a fish. On the surface, this show appears to be a coming-of-age tale with music, but it is much more: it is a cleverly done and, at times, pointed commentary on the socio-political nature of contemporary America, and of religion. [more]

The Glass Menagerie

October 10, 2019

It is Ginger Grace as Amanda that is the crowning glory of this production. Though slender and frail looking, she is still a powerful, if bothersome figure, memories of a golden southern belle past clashing with her poverty-stricken present. Grace lives Amanda on the tiny Wild Project stage, making it seem large and teeming with life, although nothing really happens in "The Glass Menagerie," nothing that is except the dissolution of a family. [more]

Midsummer: A Banquet

August 10, 2019

"Midsummer: A Banquet" is an auditory and oral treat, a light entertainment for this time of year. Using Zach Morris and Victoria Rae Sook’s skillfully adapted abridgment of Shakespeare’s comedy, the evening of dinner theater is a delightful way to experience the Bard. The meal designed by Emilie Baltz contains various surprises that coincide with the events in the play and are tasty enough to be a filling repast. Shakespeare as dinner theater may not be a new idea but this is an evening of many pleasures. [more]

Outside Paducah: The Wars at Home

September 29, 2017

In terms of the atmospherically detailed writing and Mr. Moad’s enjoyably intense performance that recalls a Sam Shepard hero, “Quittin’ Meth” is the most powerful of the program and its concluding play. It’s a poetically expressed evening’s odyssey of a 27 year-old Iraq War veteran who has returned to his Illinois hometown in 2007. Set in a rundown bar in this depressed steel mill neighborhood, we follow his memories of the war that contrast with his present observations and glimpses of the pitiful bar denizens . He encounters a war buddy who lost a leg and has descended into drug addiction. [more]

The Collector

November 2, 2016

Healy’s treatment is faithful to the novel with a good deal of it being Clegg’s narration addressed to the audience. There are lengthy conversations between Miranda and Clegg, and her escape attempts are depicted. No matter how skillful Healy’s stage version is, it’s still two hours of often-philosophical talk between two characters in an unpleasant situation. [more]

The Anthem

June 14, 2014

This campy extravaganza channels the spirit, tone and sound of past offbeat edgy musicals: an appropriate subtitle for it would be Ayn Rand Superstar. [more]