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Seth Clayton

Folk Wandering

March 6, 2018

They’re friends in the present. Someone picks up yellowed newspaper articles from the past.  Then we’re in New York City’s Lower East Side in 1911. We meet the spunky 13-year-old Roselia.  She is the daughter of immigrants and her goal is to become a muckraking journalist.  An exposé of the local butcher was one of her scoops that have been published.  Her older sister is to marry a genial young man.  Her parents are very affectionate but due to their hardscrabble circumstances it’s decided that after her impending 14th birthday, Roselia will leave school to join her mother and sister in working in a garment factory to bring in more money to the family. This heartbreaking thread is the most substantive, affective and dramatic of the three tales.  The girlish and luminous Lena Hudson makes a great impact as Roselia. Kate Loprest’s practical but maternal characterization of the mother is perfect.  “The House on Ludlow Street” is a haunting song that is woven through the narrative. [more]

No End of Blame: Scenes of Overcoming

July 22, 2016

Director Richard Romagnoli who also staged the 2007 production and he has done an excellent job of visualizing the scope of the scenes. Action on the battlefield, political conflicts in Moscow and German atrocities in the Ukraine are all exciting. A life drawing class sequence at a Budapest art school is quite compelling. A longhaired female model makes sardonic observations from atop a ladder as the students in long white coats swirl around her. It recalls the stunning achievements of Derek Jarman and Peter Greenaway in their art house films. [more]