Soho Playhouse

Wounded

March 12, 2025

"Wounded," written by Jiggs Burgess, is a story using a cloak of humor to obscure the pain and dark feelings being hidden by the protagonists. Although referred to as a comedy or dark comedy, it should be noted that the simple addition of humor does not make it so. This play is a serious drama, in the full meaning of that form, with some humorous elements. Del Shores skillfully directs an excellent ensemble of three players to expose layers of emotional and physical wounds in the characters. Shores and the cast successfully create a deceptive cover for the story's final destination, with the dramatic tension slowly building to a surprising and unexpected ending. It is a play worth experiencing, even with a few issues concerning the logic in some of the characters' interactions. [more]

My Mother’s Funeral: The Show

January 10, 2025

Charlotte Bennett directs an exquisite cast of three in an exploration of these themes. Nicole Sawyerr solidly leads the ensemble in the lead role of Abigail Waller, a working-class playwright. Sawyerr is supported by Samuel Armfield, who perfectly embodies two characters: an unnamed theatrical director with a class-based condescending attitude and Darren, Abigail's brother. The third member, Debra Baker, skillfully takes on a number of other characters, the two most important of which are Abigail's mother and an actress portraying the character of a mother in a play written by Abigail. Baker gives distinctly different presentations of these two pivotal characters. She also takes on a number of other ancillary characters who voice supporting elements to the overall story. [more]

Ghost of John McCain

September 25, 2024

If, to paraphrase Mark Twain, a liar's greatest enemy is laughter, then the new musical comedy "Ghost of John McCain" is certainly no friend of Donald Trump. It's also not a hagiography of the late Arizona senator and famed prisoner of war who, after dying in 2018, is condemned for his own political shortcomings to another captivity, this time in Donald Trump's warped subconsciousness. When the show sticks to this satirically low-brow conceit, it rollicks along humorously, thanks in no small part to a nimble cast unafraid of being supremely silly. But Ghost of John McCain also has an off-putting penchant for strained seriousness, as if losing faith in the power Twain proclaimed. [more]

It’s Not What It Looks Like

July 31, 2024

"It’s Not What It Looks Like," is a two-hander, written by John Collins in collaboration with Chesney Mitchell. It is the winner of the 2023 Soho Playhouse Lighthouse Series competition for new plays. The play is a cleverly devised procedural drama that does justice to its title: somebody died, but the how and why are unknown. It is a mystery with which to spend a summer evening. [more]

Fingers & Spoons: The Ins and Outs of an Open Marriage

May 5, 2024

"Fingers & Spoons" does have its titillating moments, with descriptions of sex and even mild simulations. (The show is sexual enough that it would probably be a hit at the Edinburgh Fringe.) You will leave knowing that Pascale Roger-McKeever, the author and star, likes to be called a slut, at least under the right circumstances. You will not, however, leave with a greater understanding of open marriage. [more]

Job

September 20, 2023

Max Wolf Friedlich’s "Job" is as tense as a thriller, as compelling as a psychological drama and as up-to-date as tomorrow’s headlines. As directed by Michael Herwitz, Peter Friedman and Sydney Lemmon are living their roles, rather than just acting them. While the play will grab you by the throat while you are in the theater, it will give you a great deal to think about after you leave. In that it resembles other two-character plays by such authors as David Mamet and Harold Pinter. It is to be hoped that the play will be extended or better yet moved to a larger theater so that more people will be able to see it. [more]

Lightweight

August 1, 2023

Lightweight, the cleverly titled one-woman play currently being performed at the SoHo Playhouse, shines an important light on the subject of anorexia, and who better to tell her own story with this condition than the playwright herself, Amie Enriquez. Enriquez has taken her serious challenges with anorexia and put them into an engaging script. She, her character of “Amie,” a lone anorexic among drug addicts in a long stay rehabilitation center, regales the audience with stories of her behavioral obsessions about food, being watched through an open toilet stall to make sure she doesn’t throw up, powering up on laxatives and defecating in her clothes being some of them. She can so barely contain her excitement when Natalie, a bulimic, is admitted to the rehab, that Jayne, the head therapist (who “looks like a walking Barbie doll… how am I supposed to learn to love my body from a Bond Girl?”) insists she give up the talking stick to Natalie. [more]

A Girl Far From Normal

July 17, 2023

"A Girl Far From Normal" by Robyn Bishop-Marin takes us on that stroll down the lanes of her memory, and it is fearsome, delightful, heartfelt, wrenching, and funny. Matthew Harrison's direction allows Bishop-Marin to engage in a conversation with the audience. It is a technique that allows, as he puts it, for her "...courage, humility, and passion..." to shine and share some deeply personal aspects of her life. The play is, in a sense, a romantic comedy, in the grand tradition of those types of shows. Still, it is also a revelatory therapeutic journey into how the rom-com idea is a pale substitute for reality. It is a play that will take you on a journey into your places of light and dark, but do it with empathy and compassion for what a daunting trip can be. It will be worth your while to spend some time with Robyn. [more]

1+1

March 12, 2023

Eric Bogosian’s latest play to reach New York is his 2008 "1+1" which feels like a made for television movie written without taking into consideration the #MeToo movement that has occurred since then. While its Hollywood milieu of pornography, drugs, and easy money exists, this seems like a rather simplistic view of it all. Director Matt Okin, founder of The Black Box theater company of Englewood, N.J. which has coproduced the play now at the SoHo Playhouse, has done the actors no service allowing for a kind of soap opera acting. The minimalist production values undercut the discussion of the perks and glitz of the film world. [more]

Sugar Daddy

February 5, 2023

Sam Morrison’s poignant "Sugar Daddy" has been “on the boards” for just under a year, but first coming to prominence at last year’s East to Edinburgh presentations at 59 East 59th Street Theatres as the Brits say “with a proper sendoff” before he struck gold at the Edinburgh Festival in August. It was only a matter of time before this jewel of a show received a longer run here in New York. It is truly a comfortable fit at SoHo Playhouse, with the only pity being it doesn’t have an open-ended run. "Sugar Daddy" is so many things. It is an off-beat love story; it is an expression of love as much as it is an expression of grief. Most importantly, it is an intensely personal story that he has chosen to share with total strangers, yet we don’t feel like strangers when he’s done. [more]

Betsy: Wisdom of a Brighton Whore

December 20, 2022

Sommerville gives an exquisite reading of Betsy's emotional highs and lows, embracing the difficult range of expression so that the audience can experience the intensity of the feelings being shown. She also provides vivid characterizations of the people who populate her story, bringing them to life as it unfolds. Sommerville seduces the audience into empathizing and sympathizing with Betsy. She uses certain physical mannerisms in her presentation that may go overboard at times, but they do add truthfulness to the depth of emotions being shown. However, please make no mistake: this is ultimately a tragic story. [more]

Tammany Hall

November 5, 2021

Co-creators and co-directors Darren Lee Cole and Alexander Flanagan-Wright have crafted a novel documentary premise, enforced with immaculate historical detail without being pedantic. The events and sense of this period are imparted through precise information characters deliver. That’s aided by the company wearing costume designer Grace Jeon’s smart dark suits, a variety of hats, and smashing flapper dresses. Lighting designer Emily Clarkson and sound designer Megan Culley add to the authenticity with their high caliber contributions. [more]

Yeah, But Not Right Now

September 25, 2021

Holmes’ songs include clever lyrics particularly “Facebook,” “I Can Be That Guy” and "Beautiful Girl in the Front Row.” His expert playing on the keyboard allows him to have duets with himself and making it sounds like many instruments. He also accompanies himself on the guitar and a drum. The show is a confessional in which Holmes reveals the worst, most embarrassing parts of himself which seems to be the latest thing with comedians, except this show is partly sung. However, it is bright and upbeat even when telling unlikable characteristics. Craig Bundy’s sound design is usually clear, but occasionally makes it difficult to catch the lyrics. Director Caitlin Cook keeps this one-man show moving swiftly along. [more]

The Book of Moron

August 23, 2021

“Do I believe in heaven and hell or another parallel universe? If I parallel park in a parallel universe will I be double parking?” muses the affable performer Robert Dubac during his clever self-written comic solo show, "The Book of Moron." Dressed in gray trousers, a black shirt and a black jacket, the seasoned Mr. Dubac holds forth for 80 minutes with his appealing persona that recalls Mort Sahl’s topicality, David Steinberg’s impishness and George Carlin’s profundity. [more]

Ashley Blaker: Goy Friendly

February 17, 2020

"Goy Friendly" is clearly meant as a light entertainment with lecture-demonstration components and succeeds as such. It’s delightful spending time with this superb raconteur, even if he cleverly sidesteps the deeper implications of his subject matter. [more]

Happy Birthday Doug

February 16, 2020

Mr. Droege’s sharp and well-observed writing renders each of these familiar figures with biting depth, achieving grand mini-portraiture. Though preoccupied with comedy, an undercurrent of proportioned sentiment elevates the work above mere caricature. Promiscuity, aging, drugs, alcohol, loneliness and the past are among the issues eloquently explored in relation to the gay male lifestyle. Droege’s shrewd structure has each of the participants alternatively popping up to chatter while imparting pertinent personal details, fueling the semblance of a narrative. [more]

Wild Dogs Under My Skirt

January 8, 2020

Speaking alternately, the six women talk of food, traditions, love, family, beliefs, ethics, dreams, abuse and New Zealand men. They speak of their dreams of a future and a better life. The language is earthy, raw, vital, colorful. Even without understanding every word, the gist is conveyed by the inflections and the performances. The evening includes song, dance, and speeches taken from passages in Avia’s book which are at times startling, revealing, amusing and tragic. They are sometimes presented like poetry, at others like dramatic monologues, and at times like choral reading. [more]

Pockets

December 18, 2019

Frothiness abounds in "Pockets," an amusing spoof of British musicals that’s presented by the Los Angeles-based comedy troupe Robot Teammate. The rollicking score is a collaboration between the group’s members and lead composer and music director Branson NeJame. The saucy book is a communal effort as well, created with head writer Dave Reynolds. It’s all 70-minutes of good-natured silliness structured as sketch comedy-style scenes and accomplished musical numbers. There are plentiful puns, sight gags and zaniness. [more]

Games

October 21, 2019

"Games" shines a light on the long forgotten stories of two Jewish athletes in post-World War I Germany, a Germany that slid into National Socialism by the 1930’s, effecting the lives of Helene Mayer, a world-class fencer, and Gretel Bergmann, a record-setting high jumper. The play, directed with attention to pacing and unadorned expressiveness by Darren Lee Cole (assisted by Hayley Procacci) takes the protagonists through the world-changing 1936 Berlin (aka the “Nazi”) Olympics. [more]

Reborning

July 16, 2019

There is a prevailing sense that the script tries to cover too much intellectual ground on the topic of reborning in too short a time frame, placing a burden on the characters to experience more than would seem realistic in an ordinary world. Nevertheless, through the efforts of the actors and valiant direction by Triolo, this dark play does succeed in bringing to light some of the complexities of motherhood, child loss and abandonment through the very unique reborning lens. Check it out for yourself. [more]

Fleabag

March 28, 2019

If Phoebe Waller-Bridge’s "Fleabag" sounds familiar, it may be because of the cult television show now in its second season adapted from this one-woman play. Having premiered at the Edinburgh Festival Fringe in 2013 and having had three successful London runs, it finally arrives in New York with its author-star in a sold out production at the SoHo Playhouse. Not only is this a riveting, liberated evening in the theater, it marks the local debut of a supremely talented actress and writer. [more]

The Day I Became Black

March 24, 2019

A searing epiphany at "The Day I Became Black"’s climax redeems its uneven mixture of confessional and stand-up. The show is written and performed by the engaging biracial young comedian and actor Bill Posley. During 80 cluttered minutes we sketchily learn about his stern though supportive African-American father and Caucasian mother of Kentucky “white trash” origin. The Boston-reared Mr. Posley charts the complexities of his racial background due to his black appearance. Navigating through society, dating women and interacting with the police are concretely explored. That Posley is an Iraq War veteran is mentioned only in passing. [more]

Fiercely Independent

March 12, 2019

Let’s talk about the talent: Gallogly and Smith are, in a word, fantastic in "Fiercely Independent." They listen to each other intently, their responses are spontaneous and natural, and their chemistry is evident. Even when they’re not speaking, their inner dialogues are continuous and their intents are crystal clear. Gallogly and Smith are by turns playfully fun and painfully electric. [more]

James & Jamesy in the Dark

September 17, 2018

"James & Jamesy in the Dark" is apparently the product of a long trial and error rehearsal process according to the aforementioned program notes. The self-involving process, unfortunately, seems to have insulated them from unintentionally synthesizing themes from the works of Samuel Beckett and Eugène Ionesco (isolation, repetition, existential angst). Their endless wanderings about the stage mirror Waiting for Godot and their nonsensical dialogue could easily have come directly from" The Bald Soprano." [more]

Innit

July 16, 2018

Structured as a series of confessional vignettes, Innit begins in the school psychologist’s office and alternates between there and Kelly’s home. Her 34-year-old mother works at a sandwich shop and is a part-time prostitute. Her absent ne'er-do-well father abandoned the family and went back to his native Ireland some time ago. Money is tight and so is hope. Kelly is combative and doesn’t really have friends. She gets free cigarettes for allowing boys in gym class to take manual liberties with her. The dialogue is earthy, conveying a youthful sensibility with “dick head” being a favored exclamation. [more]

Get the Boat

July 13, 2018

Though designed as an agitprop exploration with one woman as “Bad” and the other as “Good,” Ms. Brennan's simple yet effective writing elevates it into a quietly powerful work. The dialogue is a skillful blend of mundane details, biographical data and expressions of world views that all strongly delineate the characters. The structure is essentially two women in their 30’s in a room talking. Brennan’s command of plotting injects suspense, surprises and momentum, all combined with emotional resonance. [more]

Katie Goodman’s Broad Comedy

February 21, 2018

Songs jostle with playlets, usually with topical references. This is a good lineage to be part of and "Broad Comedy," the bumpy new show at the SoHo Playhouse, succeeds mostly due to the ebullient cast which includes Goodman, Danielle Cohn, Molly Kelleher, Tana Sirois and Carlita Victoria, all sassy and at ease with their bodies, which are sometimes covered with costumes that make them into battling genitalia. (Watching a giant penis deflate is one of the best visual jokes of the evening.) [more]

Josephine: A Burlesque Cabaret Dream Play

January 23, 2018

The main event, however, is the performance of Harris who doesn’t just imitate Baker but uses her own gifts to illuminate the multitalented cult figure. It’s as if Baker has brought out the best in Harris and she returns the favor with her vivid singing, unabashed dancing and direct connection with the audience. The songs include well-known ditties like “I’m Just Wild About Harry,” “Ain’t Misbehavin’,” “Blue Skies,” a particularly moving “And Then I’ll Be Happy,” “Minnie, the Moocher,” the Civil Rights anthem “Strange Fruit,” “The Times They Are A-changing,” and a heartbreaking “La Vie en Rose.” [more]

Kafka and Son

October 9, 2017

With only a metal-mesh cage, bed-frame, and a gate--and gobs of black feathers that ultimately litter the stage--Nashman cavorts around the black box set (scenic design is by Marysia Bucholc and Camellia Koo) with abandon. If the challenge of every one-man show is to sustain our attention, Nashman succeeds spectacularly. He has some significant help with evocative lighting by Andrea Lundy, eerie music by Osvald Golijov (performed by the St. Lawrence String Quartet), and Cassidy’s direction, which always keeps him in motion. [more]

Love for Sale

January 26, 2017

The concept of Love for Sale, though not particularly original, is not a bad one, except for one very important factor: Ms. Burke is not up to either the singing or acting demands of Love for Sale, a voyage from innocence to jaded sophistication as told in mostly dark, melodramatic songs, ironically influenced by the American films that flooded Europe in the twenties and thirties. It’s an extraordinarily difficult repertoire that constantly threatens to be silly expressions of impossibly colorful and desperate characters. [more]

Mother Emanuel (2016 Fringe Encore Series)

August 23, 2016

The dynamic cast is made up of Marquis Gibson, Lauren Shaye, Nicole Stacie and Christian Lee Branch. These four very talented performers all portray numerous characters during this 75-minute work. President Barack Obama is depicted as well. [more]

Rap Guide to Climate Chaos

March 7, 2016

For his latest production, Brinkman has assembled over 20 songs which, cohesively, tackle every aspect of the climate crisis. Starting with a background of the physics and chemistry behind what’s happening in the world, he begins the show with a crash course in climate science. Brinkman’s clever lyrics are both informative and comical, and the unique way in which the information is presented to the audience makes learning fun and entertaining. Not only that, the conversational approach in his rapping also helps to make the information more easily digestible. [more]

Rap Guide to Religion

January 16, 2015

Performer-scholar Baba Brinkman has done a series of shows which follow the same basic format, essentially a lecture with rap interludes. A recent example seen at the Soho Playhouse was his Rap Guide to Evolution, in which he posited that if we wanted the welfare of the human race to improve, our watch cry needs to be “don’t sleep with mean people.” At the end he gave out buttons with this phrase (I still have mine). His current show is the very entertaining (and informative) "Rap Guide to Religion." [more]

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