Stephen Michael Spencer

Music City

November 17, 2024

By all outward appearances, the Church of St. Paul and St. Andrew on West 86th Street is an unlikely location for a performance space, but deeply nestled into its 2nd floor can be found the West End Theatre, current home of the new country-western musical "Music City," featuring songs and lyrics by successful songwriter J.T. Harding. Harding’s songs have been sung by the likes of Kenny Chesney, Blake Shelton, Keith Urban and others, but they are a perfect fit for this small musical with a big heart. [more]

Medea Re-Versed

September 26, 2024

Quintero who obviously knows his Greek plays and Greek mythology is extremely faithful to the original myth and to Euripides’ play. What he has added is a contemporary vernacular all in rhyme, music played by two guitars and a beatbox, and the odes of the chorus presented as song. This gives the 2,500 year old story a modern sensibility, often lacking in productions of Greek tragedy. Although Quintero has had a career as an actor, particular at the Hudson Valley Shakespeare Festival the last five summers, what is most remarkable is that this is his first work for the theater, both as playwright and composer. Medea Re-Versed looks and sounds like the work of an experienced dramatist of many years standing. [more]

Bedlam’s The Assassination of Julius Caesar as Told by William Shakespeare and George Bernard Shaw

March 17, 2024

The play is treated like a rehearsal (a conceit also used by Bedlam in their incomprehensible and lame "Henry IV" workshop in Brooklyn in 2023) with the director (Andrew Rothenberg who also plays Shaw’s Caesar) stopping the action periodically and breaking the mood. The costumes (production designed by director/adapter Eric Tucker, wardrobe supervisor Damarius Kennedy) are contemporary; whether this is supposed to be rehearsal clothes or a modern dress version is never made clear. (It is obviously cheaper than having to create period correct Egyptian and Roman costumes.) In terms of continuity, there are two Caesars: Rajesh Bose as Shakespeare’s Caesar and Rothenberg as Shaw’s which destroys any transition from one play to another. In fact, the segues from one text to the other are non-existent with one scene following another from the other play without any transition. [more]

The Tragedy of Julius Caesar

April 3, 2019

Shakespeare’s politically charged Roman tragedy, "Julius Caesar," has always been a touchstone for inflaming emotions. In earlier times, monarchs used to ban the play when uprisings were imminent. In the 1930’s, the play was presented as an anti-Fascist rallying cry. In our own era, it has been presented with various American presidents as the stand-in for Caesar. While Shana Cooper’s production for Theatre for a New Audience here called "The Tragedy of Julius Caesar" is vigorous, lusty and lucid, it offers no political point of view. We never understand why the conspirators want to get rid of Caesar nor what they want to replace him with instead. [more]