Stephen Sondheim Theatre

An Appreciation of Todd Haimes, Producing Artistic Director of Roundabout Theatre Company

April 21, 2023

Roundabout, under Haimes' leadership, was noted both for new works and for revivals of older shows with strikingly new elements (like this season's gender-bending revival of "1776.") He was the first producer to try livestreaming a Broadway show ("She Loves Me" in 2016). And somehow, besides producing lots of shows (and 11 Tony Awards), Haimes also found time to teach at Yale University and Brooklyn College. The biggest change he saw in theater in his career, he said, was the change in audience composition, with Broadway growing more and more reliant on tourists. He said it bothered him that nowadays, in his opinion, so many theater ticket buyers preferred to see crap so long as a star they knew from TV or film was heading the cast, than see a better play with better (but not necessarily famous) actors. [more]

& Juliet

November 30, 2022

The cast is a combination of New York stage favorites (Stark Sands, "Kinky Boots," and Betsy Wolfe, "Waitress," "Falsettos" and "The Mystery of Edwin Drood"), new faces (Lorna Courtney, Ben Jackson Walker, Justin David Sullivan) and older veterans (opera baritone Paolo Szot and London stage star Melanie La Barrie making her Broadway debut.) The clever book is by writer David West Read previously seen in New York with "The Performers" and "The Dream of the Burning Boy" as well as the long running television series Schitt’s Creek. The show seems to have been influenced by "Something Rotten"(parody of Elizabethan times), "Six "(its updated 16th century costumes by Paloma Young), "Head Over Heels" (reboot of a classic tale wedded to a pop-rock score) and "Moulin Rouge" (the over-the-top staging by director Luke Sheppard and choreographer Jennifer Weber) – but is actually more fun than all of those shows. At times it resembles "Saturday Night Live" skits but knows enough to keep them short and not let any of them go on too long before introducing the next complication. [more]

Broadway’s “Mrs. Doubtfire” Takes a Nine-Week Hiatus Due to Covid-19

January 7, 2022

The show's pre-Broadway, out-of-town tryout was very successful financially, suggesting that there's an audience for the show. (The show broke box-office records in Seattle, during its tryout.) But that was before the pandemic. As company members began testing positive in December, the show was forced to cancel a number of performances, costing the production a lot of money. And after spending six years developing the show, its creators did not want to see the show die due to Covid-19. So they are trying this nine-week hiatus now, in the hope that it will give the show a chance at long-term viability later. [more]

Slava’s Snowshow

November 18, 2019

"Slava’s Snowshow" is a unique experience. It is clowning of a sophisticated sort with its wordless skits which takes it beyond language. Its set pieces are outrageous enough to transcend anything other clown shows are doing at present. At 110 minutes, it is just long enough to not overstay its welcome. The audience participation sequences will make you feel that you are part of the show and the clowns play off of audience reactions throughout. However, as the clowns are more somber than playful it may not be for people easily depressed or very young children who have not seen the magic of theater before. [more]