Steven Reineke’s boundless enthusiasm and exceptional artistry have made him one of the nation’s most sought-after pops conductors, composers and arrangers. Mr. Reineke is the Music Director of The New York Pops at Carnegie Hall, Principal Pops Conductor of the National Symphony Orchestra at the John F. Kennedy Center for the Performing Arts, Principal Pops Conductor of the Toronto Symphony Orchestra and Principal Pops Conductor Designate of the Houston Symphony. For more info on Steven’s career visit his agent’s page
Joy filled Carnegie Hall with The New York Pops’ annual two-night Christmas concert entitled "The Best Christmas of All" led by genial host, music director and conductor Steven Reineke. This year’s guest artist was Broadway baritone Norm Lewis who was joined by several announced and several surprise guests: soprano Vanessa Williams (Friday night only), Pastor Bobby Lewis (actually a cousin of Norm Lewis), 14-year-old percussionist Jonathan Logan making his third Carnegie Hall appearance, guest conductor Ruthanne Ruzika and the annual visit of Santa Claus with elf Pecan Pie. The program was mainly made up of old favorites and one or two unfamiliar compositions which were greeted with ovation after ovation from the sell-out crowd. [more]
The pairing of Broadway legends Sutton Foster and Kelli O’Hara proved felicitous just like the previous pairing of Julie Andrews and Carol Burnett, with each lady using her special gifts: Foster was best in the comic moments and O’Hara was ravishing in the semi-operatic musical numbers, just as had been Burnett and Andrews in their three concerts. Backed by the glorious New York Pops orchestra led by Maestro Steven Reineke, Foster and O’Hara made the most of this unique concert staging directed by Dick Scanlan. The many uncredited costume changes put the singers in either stunning red, black or white outfits. Throughout the evening the singers were supported by their own music directors at the piano, Dan Lipton for Kelli O’Hara and Michael Rafter for Sutton Foster. "One Night Only: An Evening with Sutton Foster & Kelli O’Hara" proved to be a memorable evening and one that is hoped to be the first of many. [more]
Pairing The New York Pops with Broadway star Heather Headley brought out the best in each. The energy zipping between the orchestra’s music director Steven Reinecke and Headley was palpable. The program was a wonderful musical portrait of Headley. Reinecke, and Headley’s accompanist and personal music director, Ron Colvard did not just support her but became “the wind beneath her wings.” [more]
Von Essen did sing a couple of songs from a living composer, one Andrew Lloyd Webber. He relayed the story of going on for Ricky Martin in Evita, where the curtain had to be held so that all the box office refunds could be processed; he won the sympathy of every ear in the house on that retelling. He also declared that although auditions for both the parts of Raul and the title character of "The Phantom of the Opera" did not yield successful results for the Broadway production, he did get to play said Phantom in "Love Never Dies," which was a perfect segue to “Till I Hear You Sing.” It seemed the evening was specifically shaped to present this “power ballad” as the 11 o’clock number, and von Essen truly pulled out his most formal, rich and dramatic voice for it, earning him spontaneous applause in the middle of the song and even a few standing ovations afterward. As for the other Webber song, well, I did not think I’d ever want to hear this song again, in or out of its "Evita" context; yet von Essen put Magaldi completely aside and sang a most stunningly beautiful and exquisite version of “On This Night of a Thousand Stars” as one could ever imagine hearing. His sublime and subtle tenor notes were completely glorious, and this song became the superlative number of the evening for this listener. [more]
The New York Pops’ latest concert, Find Your Dream, was a glorious tribute to nostalgia. Not only was it an evening of the beloved songs of Rodgers and Hammerstein with selectionsfrom all 11 of their collaborations, it also recreated a performance first presented five years ago by The Pops. The guests artists on the evening of January 24 were British musical theater star Laura Michelle Kelly (Broadway’s "Mary Poppins" and "Finding Neverland") first seen in a flaming red, off the shoulders gown and American musical theater star Max Von Essen (Broadway’s "An American in Paris" and "Anastasia") in a midnight blue jacket. Joining The Pops as usual was Judith Clurman’s Essential Voices USA who were an integral part of the show with the famous choral numbers. [more]
"Kinky Boots" ’ uplifting finale "Raise You Up/Just Be" was a euphoric highlight of The New York Pops’ marvelous tribute concert "Hat Full Of Stars: The Songs Of Cyndi Lauper. " The 2013 Tony Award winner for Best Score and Best Musical’s original cast member Stark Sands was joined by Lena Hall, Alex Newell, the Camp Broadway Kids ensemble and the renowned 78-piece orchestra. Earlier, that long-running Broadway show was represented by the limber and magnetic Mr. Sands’ dazzling "The Soul of a Man" and the "Glee" star Mr. Newell’s soulful "Hold Me in Your Heart." [more]
The evening’s vocal guests are exceptionally strong singers, although their talents are not equally evident in a concert format. Silverman probably shines best in a book show, as well as Osnes, although she did demonstrate more spontaneity and connection with the audience. Kilgore brought even more freedom, energy and levity, and Large’s vocal and physical presence was sheer dynamite, and never to the detriment of ensemble moments. The amazing caliber of The New York Pops itself cannot escape mention; its underscoring of each of the singers was exquisite. Their ad hoc dedication to the late Michel Legrand and Andre Previn with a superb “The Summer Knows” (Michel Legrand/Marilyn and Alan Bergman, The Summer of ‘42, 1971) and the second act opener Disney Classics Overture were wonderful moments featuring its amazing musicians. [more]
The New York Theatre Ballet performed the lovely, all-female, “Come to Me, Bend to Me” from that musical, a sweet look at pre-wedding preparations in the ancient village of Brigadoon. That troupe began with two excerpts from de Mille’s groundbreaking “Dream Ballet” from "Oklahoma!" and her “Hornpipe” from another Rodgers and Hammerstein classic, "Carousel" (1945), its fishermen bouncing about while on the hunt for female companionship. [more]
Angela Lansbury’s electrifying surprise appearance was the grandest of the many highlights of the New York Pops’ sensational 35th Birthday Gala, "Part of His World: The Songs of Alan Menken." The 92-year-old Ms. Lansbury performed a ravishing rendition of “Beauty and the Beast” in all its tender glory. [more]
“September” by Earth, Wind and Fire was gorgeously mashed up with Kool & The Gang’s “Celebration” and was the soaring opening number of The New York Pops’ exhilarating rhythm and blues concert, "Heart and Soul." The event celebrated African American History Month and Valentine’s Day. [more]
The sensational highlight of the concert was a medley from "South Pacific." “I’m Gonna Wash That Man Right out of My Hair” had the luminous Ashley Park euphorically performing that showstopper. Ms. Park was filling in for the previously announced and indisposed Laura Osnes. Female members of The Camp Broadway Kids Ensemble, who were dressed in colorful outfits and sailor caps, wonderfully joined Park. This thrilling production number was representative of Cynthia Thole’s vigorous direction and choreography. [more]
“A really fun mix-tape of some our favorite songs…with no through line,” was how Steven Reineke, the exuberant music director and conductor of The New York Pops, described this delightful tribute to notable singer-songwriters from the past 60 years. [more]
“It looks like when you got your Kennedy Center Honor!” exclaimed Mr. Reineke, as a spotlight shone on John Kander, who was attending the concert from a first tier box at Carnegie Hall. He grinned to a thunderous reaction. Sitting with him, was Susan Stroman, who has directed several Kander and Ebb productions. Near the end of the show, at Reineke’s instigation, the house lights went up, and the orchestra and the audience joined in for “Happy Birthday” to Kander. [more]
The beautiful wreath and garlands hanging above the stage were festively lit up for the wonderful finale, the “Jingle Jangle Sing-Along.” All of the performers appeared and encouraged the audience to join in for convivial group singing of “Rudolph the Red Nosed Reindeer,” “Frosty the Snowman,” “Here Comes Santa Claus,” and “Jingle Bells.” [more]
Music director Steven Reineke led a perfectly respectable concert with the help of The Soldiers’ Chorus of The U.S. Army Field Band (First Lieutenant Alexandra Borza, Associate Bandmaster), a robust ensemble that proved itself song after song, including several songs in which soloists emerged to sing as in Barry Manilow’s “Let Freedom Ring” and the Toby Keith/Chuck Cannon “American Soldier.” [more]
Music Director/Conductor Steven Reineke chose three fine singers, Colin Donnell, Laura Osnes and Nathan Gunn, to animate the Lerner and Loewe songbook, along with the terrific choir, Essential Voices USA (Judith Clurman, Music Director). They, plus the lusty sounding New York Pops, brought songs from "Camelot," "Paint Your Wagon," "Gigi," "Brigadoon" and, the biggest hit, "My Fair Lady" to life. [more]
Hosted by the always charming Steven Reineke, the fundraising event, New York Pops Underground, featured two terrific Broadway stars, Montego Glover and Tony Yazbeck, whose performances clearly loosened the purse strings of a standing-room-only Feinstein’s/54 Below crowd. [more]
Inspired by the musical Olivier! was "La Révolution Française" that was Mr. Boublil Mr. Schönberg’s first collaboration. Created in 1973, this was the first French rock opera and dealt with The French Revolution. The rousing “Parisians, Awake and Rise/ Français, Français” was performed by Ms. Glover, Mr. Jordan, Mr. Scatliffe and Essential Voices USA. The original French Cossette from "Les Misérables," Marie Zamora, was a marvelous Marie Antoinette for the wistful song “Au petit matin/In the early morning.” [more]
Though the evening was studded with some of the more famous and mainstream orchestral pieces of William’s career—namely the March from "Raiders of the Lost Ark" or the Theme from "Jurassic Park," the evening also highlighted some of the more experimental pieces that came with Spielberg’s influential works of science fiction. A series of excerpts from "Close Encounters of the Third Kind," as well as a suite from "E.T. the Extra-Terrestrial," shed light on the fact that, though Williams is gifted at the art of creating a catchy melody, he is also an expert at concocting complex, ethereal music that makes the world of science fiction seem wholly believable. [more]
A pulsating medley from Kander and Ebb’s musical "Chicago" was the thrilling second act opening number of The New York Pops’ pleasant concert of eclectic show music, "42nd on 57th: Broadway Today." The evening opened with a lush and dramatic selection from Andrew Lloyd Webber’s "The Phantom of The Opera." "Les Misérables" also received a superb symphonic treatment, as did the lovely overture from "Ragtime." Hearing these familiar melodies performed by this supremely accomplished 78 piece orchestra was uniquely enthralling. [more]
Members of the classic Peanuts gang were voiced by students from TADA! Youth Theater. Joshua Andino-Nieto took on the role of Charlie Brown and was joined by Amanda Treibner who starred as Lucy and Michael Wells as Linus. The trio brought the wholesome characters to life as they recreated Charlie Brown’s journey to finding the meaning of Christmas, including the famous scene picking out his sad tree, played by the adorable Finley McElhinney – and made the audience fall in love with these friends all over again! [more]
Opening with a soaring symphonic “Deck the Halls” and then joined by the wonderful Essential Voices USA chorus for it, The New York Pops closed their concert, "It’s Christmas Time in the City,." with a rousing audience sing-a-long of “Come All Ye Faithful” and “Silent Night.” In between, there was a delightful selection of classic and newer Christmas songs several performed by Broadway stars Stephanie J. Block and Brian d’Arcy James. Santa Claus and one of his elves also comically visited. Beaming music director Steven Reineke commandingly conducted the 78-piece orchestra and personably hosted this engaging presentation. [more]
In this centennial of the birth of jazz great Billie Holiday, The New York Pops November concert was devoted to Harlem Renaissance ladies like Ella Fitzgerald, Sarah Vaughan and Dinah Washington as well as Holiday. Titled "Sophisticated Ladies," the evening was graced by three dynamic guest artists, Montego Glover, Capathia Jenkins and Sy Smith, who have a tremendous affinity with this music, along with music director and conductor Steven Reineke who narrated the story of this spirited and electrifying music. Beginning with Sam Shoup’s orchestral arrangement of Billy Strayhorn’s “Take the ‘A’ Train,” and ending in a rousing encore of “Get Happy,” performed by all the artists, the evening brought the audience to its feet. [more]
The New York Pops’ 33rd season opened with a joyful tribute to one of the legendary songwriting teams of Broadway. Entitled “My Favorite Things: The Songs of Rodgers and Hammerstein,” the evening featured guest artists American soprano Sierra Boggess and British baritone Julian Overden, along with Judith Clurman’s Essential Voices USA. All proved to have an affinity for this music which was greeted rapturously by the sold-out audience. [more]
The song that made Pink Martini famous, “Sympathique,” was performed early on and welcomed much applause. Performed by China Forbes, one of Martini’s resident vocalists, “Sympathique” is a genre bending song which received critical acclaim internationally. Though Forbes was one of featured performers of the evening, all the vocalists associated with Pink Martini were top notch. As a whole this was as well-polished an evening of standards that one could ask for. Other highlights include Storm Large’s charismatic performance of “Quizáas, Quizás, Quizás.” [more]
“The epitomy of a true triple threat performer,” was how Mr. Reineke introduced Ms. Foster. “I’ve never been here or sung outside with a big orchestra before” was her sweet response to the huge audience response. First clad in a slinky blue dress, she later changed into a tailored gray tunic and then into a striking black gown with rhinestones. Her versatility was ever present as she opened with the thrilling Duke Ellington collaborative composition, “I’m Beginning to See The Light.” Then it was on to rollicking renditions of “Anything Goes” and “I Get a Kick Out of You,” from that Broadway revival for which she won her first Tony Award. [more]
Maestro Steven Reineke, backed up by the largest pops orchestra in the United States, took us on an astonishing musical journey. The song selections made the perfectly-paced concert one of the most memorable nights of music in the past decade. [more]
December 12, 2015 marks the 100th birthday of Frank Sinatra. Sinatra’s singing career spanned seven decades starting in the 30’s until shortly before his death in 1998, winning him eleven Grammy Awards. Even those born after his death know his iconic songs such as “Love and Marriage,” which was used as the theme song of the TV sitcom Married with Children. Sinatra is one of the best-selling artists of all time, having sold more than 150 million records worldwide. He is considered by many to be "the greatest singer of the 20th century.” Led by the energetic and creative Music Director Steven Reineke, The New York Pops Presents "Let’s Be Frank" affectionately and admirably paid tribute to the prolific and unique singing career of Frank Sinatra with the help of four robust and polished guest singers, Storm Large, Tony DeSare, Frankie Moreno and Ryan Silverman. [more]
The concert’s triumph was due largely to its headliner, the incomparable Sutton Foster. Since her Tony Award-winning portrayal of the title character in the 2002 Broadway production of Thoroughly Modern Millie, she has proven herself to be one of the most versatile leading ladies to grace the Great White Way. Her brassy, yet lithe voice soared over the melodies of Cole Porter classics; her feet glided precisely across choreographer Michelle Elkin’s tap number (yes, a tap number at a New York Pops concert!); and her storytelling chops shone during heartrending takes on a couple of choice Sondheim ballads. She is a true triple threat in a way that most, if not all, of her Broadway diva contemporaries simply are not. [more]
While it may have been “Cold Outside” on the streets of New York City, the interior of Carnegie Hall was warm and cozy during Kelli and Matthew: Home for the Holidays, this year’s seasonal event hosted by The New York Pops. Opening their set list of holiday favorites with Frank Loesser’s classic cat-and-mouse carol, concert headliners Kelli O’Hara and Matthew Morrison—previously Broadway costars in The Light in the Piazza as well as the 2010 South Pacific revival—set the tone for a lovely, festive evening. Pulling out all the stops, the duo made sure that the audience had its fill of classic songs and Christmas spirit.
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The New York Pops are the perfect antidote for those who suspect orchestral music to be dull or tedious. Proving again that celebrity performers are not needed to fill performance venues, Steven Reineke and his orchestra brought Carnegie Hall to life with their second installment in what is shaping into a rather exciting season. With adoring regard By Special Request: An Evening with the Orchestra truly had two stars, the orchestra itself and the music of seven time-honored composers. [more]
Despite the sometimes-questionable song selection and orchestration choices, All You Need Is Love upheld the New York Pops' well-established standard of excellence. Reineke's unparalleled expertise and steady hand provide evenings of culture, history and entertainment time and time again. [more]
