Tammy Blanchard

Little Shop of Horrors

November 5, 2019

In a counterintuitive casting coup, handsome Jonathan Groff stars as the nebbish Seymour Krelborn who works at Mushnik’s (a funny, kvetchy Tom Alan Robbins) failing flower shop on Skid Row. Seymour discovers an odd potted plant in Chinatown after an eclipse, a plant that leads to great success for both Mushnik and Seymour. Although it is difficult to forget Groff’s physical attributes (well-hidden under Tom Broecker’s costumes), he delivers a brilliantly realized sad sack Seymour. Poor Seymour is in love with the much put upon Audrey played with ditzy perfection by Tammy Blanchard. Two-time Tony Award winner Christian Borle chews the scenery as Audrey’s sadistic dentist boyfriend, Orin Scrivello plus several other characters such as a William Morris agent and an NBC TV executive. [more]

The Iceman Cometh

May 7, 2018

Denzel Washington, the raison d’être of this production (coming way too soon after several recent stagings), gives a boisterous, almost pleasant performance as Theodore Hickman, aka Hickey, who is the “Godot” of "Iceman," in whom the godforsaken characters put too much faith, a faith that, by the end of the play, is shown to be clearly misplaced. There is absolutely no foreboding in his interpretation. He takes the glad-handing aspect of Hickey too literally so it is difficult to understand his sway over the denizens of Harry Hope’s saloon. True, these depressives look forward to his regular visits, but Washington’s Hickey simply doesn’t fit in. He’s more worshiped than embraced. [more]

Dada Woof Papa Hot

November 20, 2015

It was inevitable that legalized gay marriage would lead to plays about gay parenthood. "Dada Woof Papa Hot," Peter Parnell’s sweet-natured, but frustratingly narrow-focused, new play at the Mitzi E. Newhouse Theater explores the kind of child rearing issues formerly supposedly experienced only by straight couples, at least straight couples with large bank accounts. To bring the theme of gay marriage further into the mainstream, divorce also rears its ugly head. [more]

Gypsy

March 2, 2003

Within seconds after musical director Marvin Laird picks up his baton, you will know why composer Jule Styne's slam-bang overture to "Gypsy" is considered by many the greatest and the most invigorating overture ever written for an American musical (okay, so you prefer Leonard Bernstein's more highfalutin "Candide"). Know this, however, that those who do go to this "Gypsy," will hear, probably for the very last time, the sound of 24 musicians in the pit (thanks to the concessions made during the recent strike). That alone is worth the price of admission. [more]