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Tess Voelker

Nederlands Dans Theater 2

January 21, 2019

All four works—particularly the first three—had a certain offhanded similarity, a lack of formal movement ideas and construction, but all four choreographers are clearly students of the school of Jiři Kylián, the most famous director of the NDT whose incredibly musical, minutely detailed choreography has influenced many both in Europe and here in the United States.  Kylián’s works have a touching humanity to them, while these four works tended more to movement for its own sake and arbitrary expression of emotions. [more]