the cell

Tennessee Rising: The Dawn of Tennessee Williams

May 17, 2021

While the chronology is somewhat convoluted as the text occasionally skips around grouping some similar events (such as two trips to New York City), if you follow along, the script depicts Williams’ steady rise to success in the six years before "Menagerie" landed on Broadway. Many of the anecdotes are amusing, others are surprising tales of little known facts (a trip to Europe with his grandfather, meeting D. H. Lawrence’s widow on a trip to Taos, New Mexico.) Always engrossing, always believable, "Tennessee Rising: The Dawn of Tennessee Williams" accomplishes in spades what it sets out to do: revealing the trials and tribulations of a great playwright on the verge of his first success. [more]

The Evolution of Mann

October 10, 2018

Henry’s roommate and confidante, Gwen (a solid, appealing Leslie Hiatt) has her own heartache to deal with: Her wife, Diana, has left her, accusing Gwen of infidelity. Gwen and Henry support each other with wisecracks, gentle prodding and pleasant songs provided by Douglas J. Cohen (music and lyrics) and Dan Elish (book and lyrics, based on Elish’s novel, "Nine Wives"). [more]

Bastard Jones

July 9, 2017

Bastard Jones is surprisingly accessible for a contemporary musical based on a long and episodic 18th century novel. Sophisticated and off-color, naughty but nice, it proves to be a sharp and irreverent entertainment. With a terrific cast and a star making performance by Evan Ruggiero, witty and clever, Bastard Jones is both a delightful 18th century and 21st century evening in the theater. [more]

Crackskull Row

September 8, 2016

Director Kira Simring’s superior staging theatrically presents the play’s complicated situations with clarity and surrealistic flourishes. Characters often enter and exit through unlikely places such as through the audience or from a side door. Though the play lasts only 75 minutes, Ms. Simring’s physical realization of it makes it seem lengthier with the depth she has brought to it. Her results with the cast, some of who play dual roles is superb. [more]

The Hundred We Are

March 29, 2016

Swedish novelist and playwright Jonas Hassen Khemiri’s new play, "The Hundred We Are," presents an emotionally compelling view on the different stages of one’s self encountered over a lifetime. From the time we are born, until the time of our passing, we learn to adapt to our surroundings and transition from life phase to life phase, with our evolution as a human being marked as life’s most important journey. Audiences are in for a treat as this provocative and progressive new play examines many of the important social issues occurring throughout the world in a fresh and truly thought-provoking way. [more]

Stoopdreamer

September 14, 2015

"Stoopdreamer," a new play by Pat Fenton, is an intimate commentary on the gentrification process in Brooklyn, specifically applying to the small neighborhood of Windsor Terrace. Located between Prospect Park and Greenwood Cemetery, Windsor Terrace is a nine-block wide residential neighborhood which for years was home to many immigrant families, a majority of which were Irish. Though the gentrification of Brooklyn continues today, for Windsor Terrace this has been an event 70 years in the making: in 1946, Robert Moses announced a brand new road building program that consequently destroyed an enormous amount of residences in the community, and as a result over 1,200 Windsor Terrace residents were left homeless. [more]

Back

October 27, 2014

Set in at ill-defined Halloween party raging somewhere in the universe between life and death, Back depicts numerous formerly living Greenwich Village icons, from founding father Alexander Hamilton to Flower Power movement leader George Harris, III. Cookie Mueller—writer, muse to the famous filmmaker John Waters, and AIDS victim—leads the proceedings as this scripted Pride Parade's grand marshal. Filled with recurring mantras, bizarre non sequiturs, and gratuitous nudity, the performance under review (the rotating script allows for different variations at different performances) followed—or, more appropriately—circled around the respective, untimely demise of both poet Frank O'Hara and actress Mueller. [more]