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The Paradise Factory

Brecht: Call and Respond (an evening of three one-acts)

February 4, 2020

“Producing theatrical works that feature compelling stories created by emerging theater artists” is from the New Light Theater Project’s self-description. Their vastly and thoughtfully entertaining presentation, "Brecht: Call and Respond (an evening of three one-acts)" achieves that aim. Bertolt Brecht may not be an emerging theater artist, but the other two playwrights certainly are. [more]

The Cult Play

February 6, 2018

Mr. Cusumano has crafted a scenario that though familiar is gripping.  The timeless craving for lost souls seeking a purpose in life by handing over their existence to charlatans is freshly explored here.  The dialogue is well-observed, sharp and occasionally very funny.  The play is peopled by a collection of characters who are all identifiable and have finely drawn back stories. [more]

Lou

May 30, 2017

The opening scenes augurs well, hinting at the deeper emotional motivation for Salome’s future behavior, her decision to avoid romantic involvement. As the lights gradually rise to reveal Salome, seated at her desk, her back to the audience, she is described by disembodied voices as a contradictory figure who is loved and respected in equal measure. Then Salome, the product of a respectable, well-to-do upbringing, tells a tale of being duped by the kitchen help when she was a child. The look on Mieko Gavia’s face as Lou Salome after revealing this traumatic event makes it clear that she will never be duped again. Ms. Gavia skillfully portrays Lou Salome as a stalwart anti-romantic who, nevertheless, knows that friendships with the influential males of her time were a necessary evil. [more]