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Tim Daly

Still

April 25, 2024

The performances are quite stellar. Jayne Atkinson’s Helen is simply gorgeous. We do see that woman who 30 years ago wore a red dress to a party…and that was enough for Mark and Lorraine to have a fight, as Mark “not to hurt Lorraine” had described Helen as plain. Thirty years later she is still anything but plain. Atkinson is that woman who could have broken up a marriage if Mark and Helen continued communicating over those 30 years. She is vibrant, earthy and quick-witted, all the things Lorraine may not have been. Tim Daly finds that illusive charm in Mark that may or may not allow the audience to forgive that this meeting reeks of the premeditated. He too provides us with an easy glance at what it must have been like for them to be together. He is more prepared for this meeting…the stops and starts and even Helen’s unintentional changes of subject. Daly, despite his character’s references to a heart attack and arthritis, gives us that glimpse of the youthful Mark that Helen fell in love with years ago, and could fall in love with once again. [more]

The Night of the Iguana

December 26, 2023

The latest Tennessee Williams revival is the first major New York staging of "The Night of the Iguana" since Roundabout Theatre’s 1996 production. Emily Mann’s version with a great many well-known stage actors (Tim Daly, Daphne Rubin-Vega, Lea DeLaria, Austin Pendleton and Jean Lichty) is a solid reading of the play though there is little chemistry between the main characters. Also at almost three hours, the production seems long though it does not drag. Visually the production with Jeff Croiter’s impressionistic lighting is stunning though the set by Beowulf Boritt may be a bit too large for what is basically an intimate play. Nevertheless, the revival is a good introduction to a Williams play not seen too often and best known from the somewhat different 1964 film version by John Huston which gave Richard Burton one of his best screen roles. [more]

Downstairs

November 25, 2018

Ostensibly about domestic abuse, the evidence is all offstage and we must surmise this from the defeated condition of the heroine Irene played by Ms. Daly. Her husband Gerry (John Procaccino) is involved in some shocking, nefarious business revealed to the characters on stage but never revealed to the audience, nor is the confidential project her brother Teddy (Mr. Daly) claims to be working on which will make his fortune. As such, the thrills are all a matter of guesswork, rather than actual events. [more]