Todd Rosenthal

Eureka Day

December 18, 2024

It's the play's best scene, an astounding mix of incredible absurdity and, for all the Zoom veterans out there, undeniable believability, especially with everyone talking and typing past each other. Still, while serving the play's humor, director Anna D. Shapiro must simultaneously contend with its overt underside, sick children, as well as a modern audience replete with the traumatic knowledge that, after the 2018-2019 school year, the worst is yet to come. Given that, it's an outright testament to the impressive comedic talents of Shapiro, Spector, and the play's ensemble that the subject matter of "Eureka Day" can remain a laughing matter. [more]

Swing State

September 24, 2023

Gilman's triteness and predictability combine to poorly serve a talented acting quartet, all of whom originated their roles in a 2022 production of "Swing State" at the Goodman Theatre under the usually steady hand of that institution's former Artistic Director Robert Falls, a Chicago legend. For whatever reason, Falls has kept his directing duties for the Off-Broadway run, too (a nice dinner at Minetta Tavern perhaps?). But it was a wasted trip for everyone, likely motivated by tragic topicality, the reputation of a world-class theater company, and a local sense of obligation to peek outside the New York bubble. [more]

King James

May 31, 2023

Whether you are a basketball fan or not, Rajiv Joseph’s "King James" is an intriguing depiction of an unlikely friendship over 12 years. Under Kenny Leon’s polished direction, Glenn Davis and Chris Perfetti hold the stage with their complicated relationship and representation of male friendship. Although the play doesn’t tackle new ground, it remains absorbing as time passes and the men’s careers take different paths. [more]

Downstate

November 16, 2022

Norris’ smart and effective script is packed with controversy; its characters are stained by the trauma in which their lives have been steeped, and it’s uncertain they will ever feel clean again. So many questions come to mind as this play unfolds. ... "Downstate" is a stirring, thought-provoking play about a deeply painful topic that plagues societies around the world. It’s an extremely tight piece of writing; every word and action is relevant. I can’t wait to see it again. [more]

Linda Vista

October 25, 2019

Tracy Letts’ latest play to reach New York via the Chicago Steppenwolf production is the comedy drama, "Linda Vista," in which a 50-year-old white man in San Diego going through a messy divorce finds his life spiraling downward as he attempts to deal with his personal demons in a major midlife crisis. Presented in New York by Second Stage Theater, the play delineates a case of toxic masculinity and will most likely fascinate men and infuriate women. While Dick Wheeler played by Ian Barford, longtime Steppenwolf ensemble member, is reprehensible in the comic first act, he is redeemed by the end of the poignant second act where one’s sympathies finally go out to him. [more]

Straight White Men

August 10, 2018

Given how physically playful the brothers are with each other--and with their father--"Straight White Men" is that rare play that even has a credited choreographer, Faye Driscoll. In addition to making good on the promise he made in last year’s "Call Me By Your Name," that he was an actor to be watched--and not only because he’s so attractive--Armie Hammer proves especially deft with Driscoll’s many maneuvers, like leaping on or off the sofa or the coffee table. [more]

Nice Fish

March 4, 2016

Todd Rosenthal’s remarkably atmospheric and evocative setting is waiting for the audience when they come into the theater: a huge expanse of a corrugated ice flow in Northern Minnesota in forced perspective with miniature cars, ice fishing huts and a train in the far distance. Erik, a dour, taciturn ice-fishing enthusiast played by Jim Lichtscheidl, dressed in a green parka and yellow cap, and Ron (Rylance), a fishing novice dressed in a glowing orange parka and matching hat, appear on the ice to drill holes in the frozen lake on this last day of the ice fishing season. As Ron tells us in his first monologue, “If you go into the woods, the back country, someplace past all human habitation, it is a good idea to wear orange and carry a gun, or, depending on the season, carry a fishing pole, or a camera with a big lens. Otherwise it might appear that you have no idea what you are doing…” [more]

The Qualms

June 26, 2015

Norris is interested in examining issues so often argued in black and white terms by drawing out the—pun intended—shades of grey. However, while wryly entertaining and largely incisive, his new work suffers from some of the same missteps as does his aforementioned "Clybourne Park." Namely, he paints Chris—his ostensibly well-intentioned, under-informed, straight white male character—as so downright nasty that it is almost impossible to listen to any of his arguments, however logical some of them may be. While the action of the play operates under the guise of an engaging debate that includes various different perspectives, the scales are tipped and its presentation of arguments is uneven. [more]

Fish in the Dark

March 22, 2015

Director Anna D. Shapiro, usually associated with heavier dramas from such authors as Kenneth Lonergan, Stephen Adly Guirgis, Tracy Letts, Bruce Norris and John Steinbeck, has surrounded David with an A-List of stage and screen stars (Jayne Houdyshell, Rita Wilson, Rosie Perez, Lewis J. Stadlen, Marylouise Burke, etc.), as well as some rising stars and performers to watch (Molly Ranson, Jonny Orsini, and Jake Cannavale). Part of her assignment is to direct the traffic of the very large cast (18 in all) of the Drexel clan on the four sets and keep out of the way of these pros doing what they do best. At this, Shapiro does a superb job. [more]

This Is Our Youth

October 15, 2014

details a specific subset of affluent, privileged, urban teenagers with no concepts for independence or ambition. In the larger context, the characters' problems are mostly petty and self-inflicted; consequently, the subject matter is difficult to relate to. I cannot speak for everyone, but the careless spending, rampant drug use, and overinflated egos presented in Lonergan's play were certainly not characteristic of my youth. [more]