UnkleDave’s Fight-House

Jordans

May 12, 2024

In fact, the play which ought to be hilarious is almost devoid of jokes as the premise which is politically incorrect will make many white playgoers uncomfortable – unless this is the point of the play. As the setting is an event space/rental studio/production facility, we see a trendy photo shoot of a high fashion model, a taping of a motivational speaker, and a business meeting to plan a new advertising campaign for a rapper’s new product line, a pop star whose street cred is that he is on trial for aggravated assault and has been to jail a few times for drugs and theft. All of this is pushed to the limit which undercuts its humorous possibilities. Of course, there are the obvious jokes about Michael Jordan and wearing Jordan jeans. [more]

Appropriate

January 10, 2024

Not only is Branden Jacobs-Jenkins’ "Appropriate" a classic American family drama with a new wrinkle, it is also a trenchant and scorching look at American racism which is just under the surface. So fine a playwright has Jacob-Jenkins become that every line of dialogue develops character and plot. What is most shocking about the play is how little the younger generation depicted knows about its American history, things we all should be aware of. Lila Neugebauer’s production for Second Stage mines all of the play’s nuances and her staging is smooth and effortless. The cast led by stage, screen and television stars Sarah Paulson, Corey Stoll and Elle Fanning (in her Broadway debut) make the most of their many opportunities. "Appropriate" is the most satisfying new American play on Broadway at this time and should not be missed. The running time may seem long but the rising tension and periodic revelations make the play feel like it could even be longer. [more]

Halfway Bitches Go Straight to Heaven

December 17, 2019

Besides Mr. Skittles, there are 18 other characters of different races, ages, genders and sexualities. They’re a cross section of the downtrodden and those involved with aiding them. Ex-convicts, the homeless, an Iraq war veteran, drug addicts, battered women and their children, social workers, staff members, law officers, a trans woman who incites divisiveness, and a wily Catholic priest who once threw a man off the roof of a building are all vividly realized by Mr. Guirgis’ supreme command of dramatic writing. Each one of these many figures are majestically fleshed out, some in great detail. Guirgis goes beyond offering a loving mosaic of character studies by gradually injecting a suspenseful narrative that reaches a bleak yet hopeful conclusion. [more]

Mojada

August 4, 2019

Following up on Luis Alfaro’s critically acclaimed Chicano retelling of Sophocles’ "Oedipus Rex" called "Oedipus El Rey," The Public Theater now stages his equally relevant and timely "Mojada" which melds Euripides’ "Medea" with the Latinx immigrant experience in the big American cities. Those who know the Greek myth of Jason and Medea will be prepared; those who at the performance under review obviously did not know what was coming were shocked and horrified by the ending. Either way the play is spellbinding theater. Chay Yew, artistic director of Chicago’s Victory Gardens Theater who also directed the Public’ production of Oedipus El Rey, has staged the stunning and devastating play with an excellent cast of Hispanic-American actors which is as timely as tomorrow’s headlines. [more]

Blue Ridge

January 19, 2019

Ireland gives a big performance that is almost larger than life. From the moment we meet her, she commands the stage. Watch how intently she listens to the others or how you can hear her thoughts clicking away as to how to avoid the rules she doesn’t like. It is almost exhausting following her as she is always doing something with her hands, her body, her voice, her total instrument. This is the sort of complete theatrical commitment that makes legends and would be dangerous for an unstable performer. Try taking your eyes off her while she is on stage – you simply can’t do it. However, unlike her Alma Winemuller in last season’s "Summer and Smoke" where she made all of the other characters disappear, her Alison is held in check by the other actors who have their own axes to grind, pun intended. [more]

The Whirligig

June 6, 2017

Say this for actor Hamish Linklater: he writes juicy parts for his fellow actors. He also knows how to set up a sense of community. The New Group production directed by its artistic director Scott Elliott has a fine cast led by two-time Tony Award winner Norbert Leo Butz and Zosia Mamet, just off six seasons of the recently ended HBO television series, Girls. [more]

The Jamb

September 3, 2016

Besides achieving sensitive and strong performances from the cast, director David Drake masterfully fulfills the playwright’s intentions with his lively and brisk staging. The collaborative group UnkleDave's Fight-House’s fight direction is thrillingly realistic for several physical conflicts. [more]

Mercury Fur

September 1, 2015

In his 2005 "Mercury Fur," being given its belated Off Broadway premiere by The New Group under the direction of its intrepid artistic director Scott Elliott, there has been a complete breakdown of society: gangs roam the city and kill and destroy in supermarkets and museums, while the population is addicted to hallucinogenic butterflies. The one redeeming factor: people will still go to any lengths to save the ones they love. However, "Mercury Fur" is not for the squeamish or faint-hearted: Ridley’s original publisher refused to publish the text. [more]

The Spoils

June 5, 2015

Can an obnoxious, sadomasochistic nerd be the central character of a play? This is the thought that will run through your mind as you watch Jesse Eisenberg’s third play, "The Spoils," being given its world premiere by The New Group. As it turns out if you knew Ben, the latest role Eisenberg has written for himself, you would probably run the other way. However, staged by The New Group’s artistic director Scott Elliott,"The Spoils" is absorbing theater and you sit riveted to see if Ben will get what he deserves. [more]